Monday, February 08, 2016

A Trio of Trios

Today in class we listened to three trios for brass by Poulenc, Nelhybel and Plog:

1. Sonata for Horn, Trumpet and Trombone by Francis Poulenc (1922) performed by the The Pro Musica Brass Trio from their album Voyages for Brass Trio.

2. Trio for Brass by Vaclav Nelhybel (1965) performed by the University of Maryland Brass Trio from their album Brass Trios. Below is an embedded YouTube video with a scrolling score (no performers credited):

3. We heard the first part of Anthony Plog's Trio for Brass from the same album.

Ethan mentioned having seen an excellent video of the Poulenc that had an introduction my a musicologist and the players were from London. I haven't yet tracked it down, but the musicologist was probably Rachel Leach and the musicians were probably from the London Philarmonic. See this link for more notes.  

PS - I had originally planned on playing:
Quintet for Brass by Alexander Alyabyev (Also spelled Aliabiev)
Ensemble:  Montanus Brass Quintet
This was written in1847, making it the first brass quintet known, predating Bellon and Ewald. 

Here is an Apple Music link

Monday, February 01, 2016

Beethoven - Drei Equali & Sorg - Voices in da Fan

Today in class we listened to Drei Equali, three short funereal movements for trombone quartet composed by Beethoven in 1812 in Linz, Austria for "All Souls Day". This recording is of Four of a Kind, a trombone quartet consisting of Joe Alessi, Scott Hartman, Mark Lawrence and Blair Bollinger. The piece is somber and was reworked and performed at Beethoven's own funeral. To see a painting of Beethoven's funeral, see my earlier post.

Here are few links related to the subject:

Will Kimball, Professor of Trombone at Brigham Young University, maintains an alto trombone history timeline his website. He added this about the Drei Equali:
Added the entry below to the Alto Trombone History Timeline. It includes information from a firsthand witness about Beethoven’s Drei Equali, arguably one of the most important works in the history of the trombone. Among the noteworthy observations about the alto trombone is Glöggl’s note that, although his father’s collection included soprano and quart trombones, the instruments commonly used in Austria were alto, tenor, and bass trombones. Son of the Linz kapellmeister who commissioned the work, the younger Glöggl stayed in the music field, eventually becoming a music publisher in Vienna. His recollections were made specifically for publication in Thayer’s Life of Beethoven (for source, see Alto Trombone Bibliography).
1812—Linz, Austria: Beethoven writes his Drei Equale for 4 trombones, a work commissioned by Kappelmeister Glöggl of the Linz cathedral. Glöggl’s son, who later becomes a music publisher in Vienna, verifies that alto, tenor and bass are the instruments commonly in use, mentioning that in his father’s “collection of old instruments he had a soprano and a quart trombone, whereas only alto, tenor and bass trombones were commonly used.” He continues, “Beethoven wanted to hear an Aequale such as was played at funerals in Linz, and one afternoon when Beethoven was expected to dine with us, my father appointed three trombone players and had them play an Aequale as desired…” (Thayer 541).

Since we had already heard the Bellon last week, I decided to play a recent recording the Atlantic Brass Quintet mad of "Voices in da Fan", by our trumpeter Andrew Sorg. We recorded it on a CD with a new work for brass quintet and wind ensemble by Kevin Walczyk entitled Quintet Matinee with the UConn wind ensemble as part of the Sackler Prize.

This is Andrew's second brass quintet composition, the first being "Mental Disorders". If you are interested in hearing this piece, I've embedded a video of live performance by a student quintet from the Atlantic Brass Quintet Seminar below: